Season 8: 2025


SFDW continues its streak of compelling, forward-thinking seasons-each one building on the last-making its productions a must-see event in the Bay Area dance calendar.
— David E. Moreno, Culture Vulture
Link to Rachel Howard's sf chronicle review
Link to nkechi naka's odc stories review
Link to David E. Moreno's Culture Vulture Review

 

Season 7: 2024


SFDanceworks has been an essential, small-but-mighty contributor to the Bay Area’s dance ecology...and now, with its Season 7 showcase, [Dana Genshaft] has brought SFDanceworks to peak hipness.
— Rachel Howard, Datebook: SF Chronicle
LInk to aimée ts’ao’s season 7 classical voice feature
link to Rachel Howard's season 7 chronicle review
link to jen Norris’s season 7 review
link to culture vulture's "the broken glass" review
link to critical dance’s "the broken glass” review

 

Season 6: 2023


SFDanceworks fills a big void in San Francisco.
— Rachel Howard, The Fjord Review
 
link to The fjord review’s season 6 review “New definitions”
Link to the classical voice’s season 6 spotlight on pam tanowitz
 

Season 5: 2022

No other repertory company in the Bay Area, including San Francisco Ballet, offers much of this kind of rep.
— Rachel Howard, The Fjord Review
LInk to the fjord review’s season 5 review “take a seat”
Link to Culture Vulture's Season 5 Review
 
 

Seasons 1-4: 2016-2019


 
link to Marin magazine’s season 4 review
Link to the SF Chronicle's Season 3 Review
 
link to the sf examiner's season 2 review
Link to SFDW's Feature in Dance Magazine, June 20217
 
 
Link to our inaugural Feature in the Sf Chronicle
Link to Season 1 review in the Sf Chronicle
 

"All the dancers are technically gifted and, more importantly, wonderfully musical, qualities called upon by the five works on the bill...Sofranko has proved himself a good curator of choreographic and dance talent, with a preference for loveliness in movement and movers."

-Claudia Bauer, Dance Tabs


"Sofranko has assembled a crackerjack troupe of seven dancers...Together they are on a bold mission to showcase the 'past, present, and future of dance.'"

-Carla Escoda, Dance Europe


"Sofranko shared the vision driving SFDanceworks – to showcase breadth in dance performance, across both time and style. And with this first program, he has more than delivered on that goal and vision."

-Heather Desaulniers, heatherdance.com


"The versatile, much-in-demand San Francisco Ballet soloist James Sofranko has worked with many of the great choreographers of our time. A piece of his own devising, the elegant and poignant Means to an End, was most recently polished and dispatched by San Francisco Ballet School trainees at their annual showcase. Somehow Sofranko has found time amid all this to launch a new chamber ballet company. In its first outing, SFDanceworks will feature three world premières by Sofranko, Penny Saunders of Hubbard Street Dance and Dana Genshaft, former SFB soloist. The Adagio from Lar Lubovitch’s Concerto Six Twenty-Two (one of the all-time great male duets) and Alejandro Cerrudo’s Lickety Split complete the program."  

-Carla Escoda, KQED Arts Hot Summer Days and Nights Guide, 2016


"The SFDanceworks' debut, co-presented with ODC Theater, promises to be an auspicious beginning. With both top-drawer dancers and choreographers, some of whom are already familiar to Bay Area dance audiences, all bets are on for a winning premiere season."  

-Aimée Ts'ao, The Mercury News, 6/10/16


“SFDanceworks invites and deserves all manner of generous support. Intelligent direction by Sofranko that sets aside ego and instant gratification in favor of curating programs consciously, and with an eye cultivated by the past but cast toward the future, should be prized and appraised with heartfelt enthusiasm and commitment. Bravo!”

— Toba Singer, CultureVulture.net